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QUARTET, OP. 22: II. SEHR SCHWUNGVOLL album cover

ISRC

ATMA40509087

QUARTET, OP. 22: II. SEHR SCHWUNGVOLL

Song: QUARTET, OP. 22 FOR CLARINET, TENOR SAXOPHONE, PIANO AND VIOLIN SEHR MASSIG; SEHR SCHWUNGVOLL

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ATMA40509087 is the International Standard Recording Code (ISRC) for the recording “QUARTET, OP. 22: II. SEHR SCHWUNGVOLL”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WEBERN.

Format

ATCountry
MA4Registrant
05Year (2005)
09087Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

WEBERNComposer
EUROPEAN AMERICAN MUSIC OBO UNIVERSAL EDITION AG, VIENNA OriginalPublisher100.00%IPI: 00628265925

Who publishes this song?

EUROPEAN AMERICAN MUSIC OBO UNIVERSAL EDITION AG, VIENNAOriginalPublisher
IPI: 00628265925

MLC Song Code

970076
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People also ask

What is the ISRC for "QUARTET, OP. 22: II. SEHR SCHWUNGVOLL"?
The ISRC for "QUARTET, OP. 22: II. SEHR SCHWUNGVOLL" is ATMA40509087.
Who wrote "QUARTET, OP. 22: II. SEHR SCHWUNGVOLL"?
"QUARTET, OP. 22: II. SEHR SCHWUNGVOLL" was written by WEBERN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA40509087?

ATMA40509087 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “QUARTET, OP. 22: II. SEHR SCHWUNGVOLL”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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