LA NOCHE DE LOS MAYAS: IV. NOCHE DE ENCANTAMIENTO album cover

ISRC

ATMA40507429

LA NOCHE DE LOS MAYAS: IV. NOCHE DE ENCANTAMIENTO

Song: LA NOCHE DE LOS MAYAS

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ATMA40507429 is the International Standard Recording Code (ISRC) for the recording “LA NOCHE DE LOS MAYAS: IV. NOCHE DE ENCANTAMIENTO. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SILVESTRE REVUELTAS.

Format

ATCountry
MA4Registrant
05Year (2005)
07429Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SILVESTRE REVUELTASComposer
SOUTHERN MUSIC PUB CO INC OriginalPublisher100.00%IPI: 00029260492

Who publishes this song?

SOUTHERN MUSIC PUB CO INCOriginalPublisher
IPI: 00029260492
SourcesMLC

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People also ask

What is the ISRC for "LA NOCHE DE LOS MAYAS: IV. NOCHE DE ENCANTAMIENTO"?
The ISRC for "LA NOCHE DE LOS MAYAS: IV. NOCHE DE ENCANTAMIENTO" is ATMA40507429.
Who wrote "LA NOCHE DE LOS MAYAS: IV. NOCHE DE ENCANTAMIENTO"?
"LA NOCHE DE LOS MAYAS: IV. NOCHE DE ENCANTAMIENTO" was written by SILVESTRE REVUELTAS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA40507429?

ATMA40507429 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LA NOCHE DE LOS MAYAS: IV. NOCHE DE ENCANTAMIENTO. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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