PIANO QUINTET IN F MINOR, OP. 34: II. ANDANTE, UN POCO ADAGIO album cover

ISRC

ATMA40504075

PIANO QUINTET IN F MINOR, OP. 34: II. ANDANTE, UN POCO ADAGIO

Song: PIANO QUINTET IN F MINOR OP. 34: II. ANDANTE UN POCO ADAGIO

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ATMA40504075 is the International Standard Recording Code (ISRC) for the recording “PIANO QUINTET IN F MINOR, OP. 34: II. ANDANTE, UN POCO ADAGIO. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHANNES BRAHMS.

Format

ATCountry
MA4Registrant
05Year (2005)
04075Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPIANO QUINTET IN F MINOR, OP. 34: II. ANDANTE, UN POCO ADAGIO

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What is the ISRC for "PIANO QUINTET IN F MINOR, OP. 34: II. ANDANTE, UN POCO ADAGIO"?
The ISRC for "PIANO QUINTET IN F MINOR, OP. 34: II. ANDANTE, UN POCO ADAGIO" is ATMA40504075.
Who wrote "PIANO QUINTET IN F MINOR, OP. 34: II. ANDANTE, UN POCO ADAGIO"?
"PIANO QUINTET IN F MINOR, OP. 34: II. ANDANTE, UN POCO ADAGIO" was written by JOHANNES BRAHMS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATMA40504075?

ATMA40504075 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “PIANO QUINTET IN F MINOR, OP. 34: II. ANDANTE, UN POCO ADAGIO. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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