ISRC
ATG302327711
TOCCATA & FUGUE IN D MINOR, BWV 565 (ARR. FOR SAXOPHONE QUARTET BY JANEZ URŠEJ)
Song: TOCCATA & FUGUE IN D MINOR BWV 565
Last verified:
ATG302327711 is the International Standard Recording Code (ISRC) for the recording "TOCCATA & FUGUE IN D MINOR, BWV 565 (ARR. FOR SAXOPHONE QUARTET BY JANEZ URŠEJ)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T9223319264.
Format
- Country:
- ISO 3166-1 alpha-2 country code (AT).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (2023):
- Last two digits of the reference year (2023). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
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Related
Other versions of this workView all on iswc.fm
Toccata in D minor, BWV 565
Benjamin Alard
FR7JM1975010
Toccata & Fugue in D minor BWV 565
London Philharmonic Orchestra, Nicholas Braithwaite
GBAET9262200
Toccata and Fugue in D minor, BWV 565
Stephen Hough
GBAJY1289001
Toccata and Fugue in D-minor, BWV 565 (Stokowski)
Boston Symphony Orchestra, Seiji Ozawa
NLA508906101
Toccata & Fugue in D minor, BWV 565 (Arr. for Trumpet & Organ)
Igor Cecocho, Piotr Rojek
PLA161829709
People also ask
What is ISRC ATG302327711?
ATG302327711 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "TOCCATA & FUGUE IN D MINOR, BWV 565 (ARR. FOR SAXOPHONE QUARTET BY JANEZ URŠEJ)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T9223319264, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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