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ISRC

ATF571431702

SHIVER - BLANK CANVAS REMIX RADIO EDIT

Song: SHIVER BLANK CANVAS REMIX RADIO EDIT

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Released 2014-05-08

Last verified:

ATF571431702 is the International Standard Recording Code (ISRC) for the recording "SHIVER - BLANK CANVAS REMIX RADIO EDIT", released 2014-05-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SANDI ANTON STRMLJAN, DANIELA WIMMER, MICHEL SCHULZ, and others.

Format

ATCountry
F57Registrant
14Year (2014)
31702Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSHIVER - BLANK CANVAS REMIX RADIO EDIT
IPISANDI ANTON STRMLJAN

Related

Songwriter profiles

SANDI ANTON STRMLJANIPIDANIELA WIMMERIPIMICHEL SCHULZIPI

People also ask

What is the ISRC for "SHIVER - BLANK CANVAS REMIX RADIO EDIT"?
The ISRC for "SHIVER - BLANK CANVAS REMIX RADIO EDIT" is ATF571431702.
Who wrote "SHIVER - BLANK CANVAS REMIX RADIO EDIT"?
"SHIVER - BLANK CANVAS REMIX RADIO EDIT" was written by SANDI ANTON STRMLJAN, DANIELA WIMMER, MICHEL SCHULZ, ALAN GLASS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATF571431702?

ATF571431702 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "SHIVER - BLANK CANVAS REMIX RADIO EDIT". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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