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LORD I HOPE THIS DAY IS GOOD album cover

ISRC

ATF470800331

LORD I HOPE THIS DAY IS GOOD

Song: LORD, I HOPE THIS DAY IS GOOD

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Released 2008-10-17

Last verified:

ATF470800331 is the International Standard Recording Code (ISRC) for the recording “LORD I HOPE THIS DAY IS GOOD”, released 2008-10-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAVE HANNER.

Format

ATCountry
F47Registrant
08Year (2008)
00331Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DAVE HANNERComposer
FORD CITY SONGS OriginalPublisher0.00%
SONGS OF TRAVELLERS HOLLOW RightsAdministrator100.00%IPI: 00704882142

Who publishes this song?

FORD CITY SONGSOriginalPublisher
SONGS OF TRAVELLERS HOLLOWRightsAdministrator
IPI: 00704882142

MLC Song Code

L6804C
Verify on MLC Portal →
SourcesMLCApple Music2 sources

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People also ask

What is the ISRC for "LORD I HOPE THIS DAY IS GOOD"?
The ISRC for "LORD I HOPE THIS DAY IS GOOD" is ATF470800331.
Who wrote "LORD I HOPE THIS DAY IS GOOD"?
"LORD I HOPE THIS DAY IS GOOD" was written by DAVE HANNER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATF470800331?

ATF470800331 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LORD I HOPE THIS DAY IS GOOD”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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