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ISRC

ATDB41010310

Boris Godunov: Prolog, 2. Bild. “Gepriesen seist du…” (Krönungsszene)

Song: Boris Godunov: Prologue. "I am sick at heart" (Coronation Scene)

K&K OpernchorK&K PhilharmonikerMatthias Georg Kendlinger
Released 2019-03-22

Last verified:

ATDB41010310 is the International Standard Recording Code (ISRC) for the recording "Boris Godunov: Prolog, 2. Bild. “Gepriesen seist du…” (Krönungsszene)" by K&K Opernchor, K&K Philharmoniker, Matthias Georg Kendlinger, released 2019-03-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ATCountry
DB4Registrant
10Year (2010)
10310Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Boris Godunov: Prolog, 2. Bild. “Gepriesen seist du…” (Krönungsszene)" by K&K Opernchor?
The ISRC for "Boris Godunov: Prolog, 2. Bild. “Gepriesen seist du…” (Krönungsszene)" by K&K Opernchor, K&K Philharmoniker, Matthias Georg Kendlinger is ATDB41010310.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATDB41010310?

ATDB41010310 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Boris Godunov: Prolog, 2. Bild. “Gepriesen seist du…” (Krönungsszene)" by K&K Opernchor, K&K Philharmoniker, Matthias Georg Kendlinger. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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