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ISRC

ATBV72505625

Welcome to All the Pleasures, Z 339: Here the Deities Approve

Song: Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Here the deities approve / While joys celestial

Alfred DellerLeonhardt Baroque EnsembleGustav Leonhardt
Released 1954-01-01

Last verified:

ATBV72505625 is the International Standard Recording Code (ISRC) for the recording "Welcome to All the Pleasures, Z 339: Here the Deities Approve" by Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt, released 1954-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ATCountry
BV7Registrant
25Year (2025)
05625Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Welcome to All the Pleasures, Z 339: Here the Deities Approve" by Alfred Deller?
The ISRC for "Welcome to All the Pleasures, Z 339: Here the Deities Approve" by Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt is ATBV72505625.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATBV72505625?

ATBV72505625 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Welcome to All the Pleasures, Z 339: Here the Deities Approve" by Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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