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Komm oh Tod du Schlafes Bruder album cover

ISRC

ATB159500292

Komm oh Tod du Schlafes Bruder

Song: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder"

Roderich KreileMünchner KonzertchorMünchner PhilharmonikerNorbert Schneider
Released 1995-10-02

Last verified:

ATB159500292 is the International Standard Recording Code (ISRC) for the recording "Komm oh Tod du Schlafes Bruder" by Roderich Kreile, Münchner Konzertchor, Münchner Philharmoniker, Norbert Schneider, released 1995-10-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ATCountry
B15Registrant
95Year (1995)
00292Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Komm oh Tod du Schlafes Bruder" by Roderich Kreile?
The ISRC for "Komm oh Tod du Schlafes Bruder" by Roderich Kreile, Münchner Konzertchor, Münchner Philharmoniker, Norbert Schneider is ATB159500292.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATB159500292?

ATB159500292 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Komm oh Tod du Schlafes Bruder" by Roderich Kreile, Münchner Konzertchor, Münchner Philharmoniker, Norbert Schneider. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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