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  3. ATA101561161
Get Me Back to Dixe album cover

ISRC

ATA101561161

Get Me Back to Dixe

Chiemsee Cowboys
Released 2019-06-25

Last verified: July 27, 2026

ATA101561161 is the International Standard Recording Code (ISRC) for the recording “Get Me Back to Dixe” by Chiemsee Cowboys, released 2019-06-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ATCountry
A10Registrant
15Year (2015)
61161Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

Verified on

  • MusicBrainz recording record

People also ask

What is the ISRC for "Get Me Back to Dixe" by Chiemsee Cowboys?+
The ISRC for "Get Me Back to Dixe" by Chiemsee Cowboys is ATA101561161.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC ATA101561161?

ATA101561161 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Get Me Back to Dixe” by Chiemsee Cowboys. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

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ATA101561161 is the International Standard Recording Code (ISRC) for the recording “Get Me Back to Dixe” by Chiemsee Cowboys, released 2019-06-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

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