ISRC
ARU8P2200258
EPISTROPHY - LIVE AT SENDESALL BREMEN MARCH 8TH. 1965 [RESTAURACIÓN 2022]
Song: Epistrophy
Last verified:
ARU8P2200258 is the International Standard Recording Code (ISRC) for the recording "EPISTROPHY - LIVE AT SENDESALL BREMEN MARCH 8TH. 1965 [RESTAURACIÓN 2022]" by THELONIOUS MONK QUARTET, released 2022-12-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-070049520-0. Written by KENNY CLARKE, THELONIOUS MONK.
Format
- Country:
- ISO 3166-1 alpha-2 country code (AR).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (2022):
- Last two digits of the reference year (2022). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
Who wrote this song?
MLC Song Code
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Related
Other versions of this workView all on iswc.fm
EPISTROPHY
THELONIOUS MONK
DEU240409779
EPISTROPHY
THELONIOUS MONK SEPTET FEAT. COLEMAN HAWKINS FEAT. ART BLAKEY FEAT. GIGI GRYCE
USC4R2443085
EPISTROPHY (THEME) (INCOMPLETE) - LIVE AT SENDESALL BREMEN MARCH 8TH. 1965 [RESTAURACIÓN 2022]
THELONIOUS MONK QUARTET
ARU8P2200262
Epistrophy
Thelonious Monk Septet
DEA319801671
Epistrophy (complete)
Thelonious Monk
USFI88300045
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EPISTROPHY (THEME) (INCOMPLETE) - LIVE AT SENDESALL BREMEN MARCH 8TH. 1965 [RESTAURACIÓN 2022]
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ARU8P2200262
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USFI85800184
Songwriter profiles
People also ask
What is ISRC ARU8P2200258?
ARU8P2200258 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "EPISTROPHY - LIVE AT SENDESALL BREMEN MARCH 8TH. 1965 [RESTAURACIÓN 2022]" by THELONIOUS MONK QUARTET. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T-070049520-0, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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