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BLANCO Y NEGRO album cover

ISRC

ARGO91900004

BLANCO Y NEGRO

C.R.OC R O MOLOK0C.R.O / MOLOK0MOLOK0
matched
Released 2019-02-06

Last verified:

ARGO91900004 is the International Standard Recording Code (ISRC) for the recording "BLANCO Y NEGRO" by C.R.O, C R O MOLOK0, C.R.O / MOLOK0, MOLOK0, released 2019-02-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MANUEL LUIS ABREU GUERRA.

Format

ARCountry
GO9Registrant
19Year (2019)
00004Designation
Country:
ISO 3166-1 alpha-2 country code (AR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MANUEL LUIS ABREU GUERRAComposer

MLC Song Code

B2190L
Verify on MLC Portal →
SourcesNotesApple Music2 sources

Verified on

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Songwriter profiles

People also ask

What is the ISRC for "BLANCO Y NEGRO" by C.R.O?
The ISRC for "BLANCO Y NEGRO" by C.R.O, C R O MOLOK0, C.R.O / MOLOK0, MOLOK0 is ARGO91900004.
Who wrote "BLANCO Y NEGRO"?
"BLANCO Y NEGRO" was written by MANUEL LUIS ABREU GUERRA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ARGO91900004?

ARGO91900004 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "BLANCO Y NEGRO" by C.R.O, C R O MOLOK0, C.R.O / MOLOK0, MOLOK0. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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