ISRC

AE2DY2400029

AYAMY BETFOOT

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Released 2024-07-15

Last verified:

AE2DY2400029 is the International Standard Recording Code (ISRC) for the recording "AYAMY BETFOOT", released 2024-07-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MOHAMED ALY AHMED ALY NOURELDIN.

Format

AECountry
2DYRegistrant
24Year (2024)
00029Designation
Country:
ISO 3166-1 alpha-2 country code (AE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MOHAMED ALY AHMED ALY NOURELDINComposerLyricist
UNIVERSAL MUSIC MENA FZ LLC OriginalPublisherIPI: 00820792635
UNIVERSAL-POLYGRAM INTL TUNES INC. SubPublisherIPI: 00282802660

Who publishes this song?

UNIVERSAL MUSIC MENA FZ LLCOriginalPublisher
IPI: 00820792635
UNIVERSAL-POLYGRAM INTL TUNES INC.SubPublisher
IPI: 00282802660

MLC Song Code

SourcesCommunityNotesApple MusicMLC/MMOA via Notes4 sources

Related

Songwriter profiles

People also ask

What is the ISRC for "AYAMY BETFOOT"?
The ISRC for "AYAMY BETFOOT" is AE2DY2400029.
Who wrote "AYAMY BETFOOT"?
"AYAMY BETFOOT" was written by MOHAMED ALY AHMED ALY NOURELDIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AE2DY2400029?

AE2DY2400029 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "AYAMY BETFOOT". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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