ISRC

ADA011005308

BLUES FOR JUNIOR (NOTHING BUT THE BLUES)

Song: BLUES FOR JUNIOR

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ADA011005308 is the International Standard Recording Code (ISRC) for the recording "BLUES FOR JUNIOR (NOTHING BUT THE BLUES)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RAY BROWN.

Format

ADCountry
A01Registrant
10Year (2010)
05308Designation
Country:
ISO 3166-1 alpha-2 country code (AD).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

RAY BROWNComposer
JATAP PUBLISHING CO OriginalPublisherIPI: 00047744657
DELLA BLUE MUSIC LLC OriginalPublisherIPI: 00370133495

Who publishes this song?

JATAP PUBLISHING COOriginalPublisher
IPI: 00047744657
DELLA BLUE MUSIC LLCOriginalPublisher
IPI: 00370133495

MLC Song Code

SourcesCommunityNotesMLC/MMOA via Notes3 sources

Related

Songwriter profiles

People also ask

What is the ISRC for "BLUES FOR JUNIOR (NOTHING BUT THE BLUES)"?
The ISRC for "BLUES FOR JUNIOR (NOTHING BUT THE BLUES)" is ADA011005308.
Who wrote "BLUES FOR JUNIOR (NOTHING BUT THE BLUES)"?
"BLUES FOR JUNIOR (NOTHING BUT THE BLUES)" was written by RAY BROWN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ADA011005308?

ADA011005308 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "BLUES FOR JUNIOR (NOTHING BUT THE BLUES)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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